William Morris: Arts & Crafts Designs Notecard Folio — Pomegranate
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Descrizione
Have nothing in your houses which you do not know to be useful or believe to be beautiful.—William Morris Believing that art could and should find expression in utilitarian objects that could be enjoyed as part of everyday life, William Morris worked in a wide range of fields, including textiles, furniture, tiles, glas
Have nothing in your houses which you do not know to be useful or believe to be beautiful.—William Morris Believing that art could and should find expression in utilitarian objects that could be enjoyed as part of everyday life, William Morris worked in a wide range of fields, including textiles, furniture, tiles, glass, and wallpaper. His sensibility dramatically influenced typography, printing, and interior design. His genius shone particularly brightly in the design of complex, balanced, intricately repetitive floral patterns applicable to textiles and wallpaper—as represented in these notecards. Contains five each of the following notecards: Lily and Pomegranate pattern (detail), 1886 Spring Thicket pattern (detail), 1894
Have nothing in your houses which you do not know to be useful or believe to be beautiful.—William Morris Believing that art could and should find expression in utilitarian objects that could be enjoyed as part of everyday life, William Morris worked in a wide range of fields, including textiles, furniture, tiles, glass, and wallpaper. His sensibility dramatically influenced typography, printing, and interior design. His genius shone particularly brightly in the design of complex, balanced, intricately repetitive floral patterns applicable to textiles and wallpaper—as represented in these notecards. Contains five each of the following notecards: Lily and Pomegranate pattern (detail), 1886 Spring Thicket pattern (detail), 1894
Pomegranate: Stationery
William Morris Embossed Notecard Box– Ashmolean Museum
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A fierce foe of modernity, William Morris (English, 1834–1896) drew inspiration from the Middle Ages, when artist and craftsman were considered
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A leader in the styles and politics of his time, William Morris viewed his patterns as both an art form and a means of social commentary. In response to the industrial designs and manufacturing of the Machine Age, he and his counterparts at Morris & Co.—some of whose designs are also featured on these notecards—created wallpapers and fabrics that boasted natural floral motifs and handmade craftmanship.
William Morris Keepsake Boxed Notecards
William Seltzer Rice (18731963) was born in Pennsylvania but moved to Northern California in 1900, when the regions Arts & Crafts movement was flowering. A talented and prolific watercolorist, Rice taught at various schools in the San Francisco Bay Area, including the California College of Arts & Crafts in Oaklanda center for the movement.
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